Every time his love interest appears, at some point she’s shown in slow motion, often doing mundane things under mundane circumstances. Every single time anyone enters or leaves Kazuya’s apartment building, it’s in slow motion. Slow motion means “This is special.” But if everything is in slow motion-if everything is special-then nothing is special. Slow motion is used for emphasis-perhaps a character enters a surreal, dreamlike situation maybe they’re reaching a profound revelation maybe it’s just to enhance the big climactic moment at the end. To start off, Kazuya’s Revenge contains way too much slow motion.
When Charlie first learns about punctuation, he mistakenly believes he can insert periods, commas, exclamation points, and question marks anywhere and everywhere, and needless to say, that entry is a barely-comprehensible mess.
The author tells his tale through a series of journal entries by its main character, Charlie Gordon, and we, the reader, can see the progress reflected in Charlie’s ever-growing vocabulary and mastery over the English language, but it’s not without its hiccups. There’s a great metaphor for Tekken 2: Kazyua’s Revenge in the classic Daniel Keyes novel, Flowers for Algernon, where a mentally handicapped man undergoes a treatment to increase his intellect. No, Kazuya does not appear conspicuous at all, paying absolutely no attention to the half-naked girls dancing on tables while stalking his target like the frickin’ Terminator.
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